{"id":1936,"date":"2021-07-19T07:20:47","date_gmt":"2021-07-19T07:20:47","guid":{"rendered":"https:\/\/filmfestivaldorf.com\/hr\/?page_id=1936"},"modified":"2026-11-11T19:57:14","modified_gmt":"2026-11-11T18:57:14","slug":"2021-dorf-filmovi","status":"publish","type":"page","link":"https:\/\/filmfestivaldorf.com\/hr\/2021-dorf-filmovi\/","title":{"rendered":"2021 DORF FILMOVI"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1976″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][divider line_type=”No Line” custom_height=”20px”][vc_column_text text_direction=”default”]\n

Regionalna konkurencija<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1944″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eDaleka Obala u Americi\u201c (Hrvatska, Boris Hrepi\u0107, 2020),<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Boris Hrepi\u0107, 50\u2032<\/p>\n

Ponovo na DORFu, Hrepa nam donosi ekskluzivnu poslasticu za sve ljubitelje ovog sastava. Daleka obala je u dva navrata, 1988. i 2000. nastupala u New Yorku i Chicagu, i ovo su putopisno \u2013 glazbeni zapisi s tih njihovih putovanja. Naglasak je na turisti\u010dkim snimcima ( NBA utakmica, podzemne \u017eeljeznice, House of Blues, na vrhu jednog od njujor\u0161kih blizanaca\u2026). Tu su i izjave aktera tog putovanja koje su dali pro\u0161le godine za vrijeme prvog vala korone i koji su se prisjetili tih vremena od prije 20-tak godina. Svjetska premijera.<\/em>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1946″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eZauvijek skladatelj: Rajko Dujmi\u0107\u201c<\/strong> (Hrvatska, HDS ZAMP\/HRT, 2020)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Toni Volari\u0107, 40\u2032<\/p>\n

Dokumentarni serijal\u00a0 autora Tonija Volari\u0107a realiziralo je Hrvatsko dru\u0161tvo skladatelja u koprodukciji s Hrvatskom radiotelevizijom, a posve\u0107en je istaknutim \u010dlanovima Hrvatskog dru\u0161tva skladatelja. Impresivan broj materijala (serijali \u201cA Porina dobiva\u2026\u201d i \u201cZauvijek skladatelj\u201d) i produktivnih nekoliko godina istaknulo je Volari\u0107a kao svojevrsni fenomen na doma\u0107oj dokumentarnoj sceni. Radujemo se novim projektima i filmskom dokumentiranju bogate pop scene, jedva \u010dekamo jo\u0161.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1948″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eOdlazak\u201c<\/strong> (Odpotovanje\/Slovenija, Petra Pan Film, 2020)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Petra Seli\u0161kar, \u00a065\u2032<\/p>\n

Filozofska meditacija o Toma\u017eu Pengovu, kantautoru \u010diji kultni album Odpotovanja (1973.) je poslu\u017eio kao motiv i po\u010detna to\u010dka za portret ove slovenske glazbene ikone. Zanimljiva karijera i \u017eivotna pri\u010da prikazani su u filmu talentirane autorice, posebna poslastica za sve ljubitelje minimalisti\u010dkih akusti\u010dnih skladbi legendarnog Pengova. Hrvatska premijera<\/em>.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1950″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eNovi val \u2013 40 godina nakon\u201c<\/strong> (Hrvatska, Srbija, CMC televizija, 2021)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Nikola Kne\u017eevi\u0107, Olga Kep\u010dija, 101\u2032<\/p>\n

Croatia Records, kao izdava\u010dka ku\u0107a koja je objavila najve\u0107i broj novovalnih izdanja, ove godine slavi 40 godina novog vala. Obljetnicu prate mnoga zanimljiva izdanja i reizdanja, a fokus je na \u010detiri vinila \u2013 bisera novog vala. S obzirom da je rije\u010d o jednom od najbriljantnijih glazbenih razdoblja u povijesti na\u0161ih prostora Croatia Records je u suradnji i produkciji CMC televizije snimila dokumentarni film koji prati ova \u010detiri vinilna reizdanja i daje \u0161iru sliku oko novog vala \u2013 od utjecaja britanske i ameri\u010dke new wave scene na na\u0161u do pri\u010de kako je Sini\u0161a \u0160karica doveo novi val u Jugoton i odgovora na pitanje za\u0161to se i danas, 40 godina kasnije, govori o fenomenu Novog vala<\/em>.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1951″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eOne su tu\u201c<\/strong>, (Hrvatska, UMAS Split, 2021),<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Andrijana Mirna Marin, 45\u2032<\/p>\n

\u201cOne su tu\u201d srednjometra\u017eni je dokumentarni film mlade autorice iz Splita, koji prati \u010detiri kantautorice i dva benda. Sara Renar, Nina Romi\u0107, Billie Joan, Mary May, Pun\u010dke i Seven Mouldy Figs progovaraju o svojim iskustvima i polo\u017eaju \u017eena u glazbenoj industriji. Njihove se pri\u010de isprepli\u0107u i razilaze, ali im je svima zajedni\u010dka strast prema glazbi. Pri\u010daju o diskriminaciji s kojom se susre\u0107u,<\/p>\n

klasi\u010dnom izdava\u0161tvu u 21.st. i ulozi dru\u0161tvenih mre\u017ea u njihovim karijerama te iskreno<\/p>\n

progovaraju o motivaciji i inspiraciji koja tjera mlade \u017eene da stvaraju glazbu.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1953″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eJedno dobro putovanje\u201c<\/strong> , (Hrvatska, Filmaktiv, 2021)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]Krivac, Moris i Marin \u2013 tri japanska premijera, tri socijalna izop\u0107enika, tri glazbenika iz fotelje idu na jedno dobro, desetogodi\u0161nje putovanje. U filmu upoznajemo \u010dlanove rije\u010dkog benda Japanski Premijeri. S njima smo od osnutka i promatramo kako je njihov odnos izrastao od davnog poznanstva do neraskidivog prijateljstva. Svoj lutala\u010dki duh i glazbu hrane putovanjima na kojima bje\u017ee od sviju i zatvaraju se u svoj mikrosvijet. Upoznajemo ih kroz arhive i glazbu koji nas vode na nostalgi\u010dna mjesta na kojima smo svi jednom bili.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1951″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eIndexi\u201c<\/strong> , (BiH, Radio televizija BiH, 2020)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Zoran Kubura, Bojan Had\u017eiabdi\u0107, 108\u2032<\/p>\n

Odli\u010dan, dugoo\u010dekivani film o legendarnom sarajevskom sastavu. \u201cRokeri u frakovima\u201d su kroz \u010detiri desetlje\u0107a postojanja lutali od avangarde do festivalskih \u0161lagera i nazad, sve vrijeme opstaju\u0107i kao jedna od najautenti\u010dnijih pojava jugoslovenske muzi\u010dke scene i za\u0161titni znak grada u kojem su stvarali. Sarajevo je iznjedrilo i tira\u017enije i popularnije bendove od Indexa, ali za Sarajlije nikada nitko nije bio ve\u0107i od njih. Hrvatska premijera.<\/em>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1958″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

Spotovi \u2013 izbor Radislav Jovanov Gonzo<\/strong>, 25\u2032<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]Prisje\u0107amo se nekih od najboljih doma\u0107ih spotova, dok \u010dekamo progla\u0161enje pobjednika i uru\u010denje DORF nagrada. Sa velikim zadovoljstvom, po izboru velikog Gonza gledamo njemu najdra\u017ee spotove iz impresivnog kataloga.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]\n

Tajna povijest rocka<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1957″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eDon\u2019t go gentle \u2013 film about IDLES\u201c<\/strong> (Velika Britanija, MEA Films, 2021)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Mark Archer, 75\u2019<\/p>\n

Hrvatska premijera nagra\u0111ivanog dokumentarca o sjajnom britanskom sastavu IDLES, iz Bristola. Film o pronala\u017eenju njihove snage u ranjivosti. Vodi nas kroz prijateljstvo, insajderski upu\u0107uje u borbu za prostorom u kojem smo Razli\u010diti, neo\u010dekivano inspirativan i svakako must-see ovogodi\u0161njeg programa. Voljeli ih ili ne, dajte priliku ovom fanovski otvorenom pozivu za zajedni\u0161tvo, pogledajte na velikom ekranu kako je to biti-u-bandu, sigurni smo da \u0107ete nakon ovog filma po\u017eeljeti postati \u010dlan AF Gang ekipe. Gledamo najglasnije.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”1973″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text text_direction=”default”]\n

\u201eRock bozon\u201c<\/strong>, (Hrvatska, Istra film, 2021)<\/h2>\n[\/vc_column_text][vc_column_text text_direction=”default”]re\u017eija: Bernardin Modri\u0107, 38\u2032<\/p>\n

Autor i njegovi suradnici prate zbivanja na rije\u010dkoj rock sceni tra\u017ee\u0107i odgovore na brojna pitanja o sada\u0161njosti i budu\u0107nosti rock glazbe. Protagonisti filma svjesni su svoga djelovanja u jednom novom svijetu informatiziranosti i munjevitoga protoka informaciia, svijetu \u010dija ie konzumeristi\u010dka filozofija demokratizirala nedostupnost tehnike i instrumenata, putem interneta prakti\u010dno slu\u0161ateljima cijeloga planeta. Rije\u010dke rock grupe uporno tra\u017ee svoje mjesto pod suncem, ali kako ie komercijalni potencijal njihovih ostvarenja minoran, a pravila nemilosrdna, \u010desto se gase nakon 3-4 godine djelovanja. Medutim, zahvaljuju\u0107i niima rock jo\u0161 uvijek \u017eivi.\u00a0Hrvatska premijera<\/em>.[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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