{"id":2540,"date":"2022-12-07T14:59:14","date_gmt":"2022-12-07T14:59:14","guid":{"rendered":"https:\/\/filmfestivaldorf.com\/hr\/?p=2540"},"modified":"2022-12-07T15:01:20","modified_gmt":"2022-12-07T15:01:20","slug":"zhel-u-dva-osam-07-12","status":"publish","type":"post","link":"https:\/\/filmfestivaldorf.com\/hr\/2022\/12\/07\/zhel-u-dva-osam-07-12\/","title":{"rendered":"ZHEL U DVA OSAM 07.12."},"content":{"rendered":"<p><!--more--><\/p>\n<p><strong>\u201eZHEL &#8211; Izbor radova 1996-2022\u201c<\/strong>(Hrvatska, Velika Britanija)<\/p>\n<p>re\u017eija: \u017deljko Vuki\u010devi\u0107 Zhel<\/p>\n<p>Trajanje: 60\u2019<\/p>\n<p>Gledamo retrospektivu video radova sjajnog Zhela, izbor od 12 video spotova i 1 epizodu izvrsnog e-zinea \u201cWith The Wolfman\u201d.<\/p>\n<p>Zhel (\u017deljko Vuki\u010devi\u0107) ro\u0111en u Puli 1969, \u017eivi i radi u Londonu od 1999. Sa javnim radom zapo\u010dinje 1993. kao \u010dlan glazbene grupe Messerchmitt, a kasnije, 1995., zapo\u010dinje samostalnu karijeru pod pseudonimom Zhel. Od 1999. \u017eivi i radi u Londonu kao autor i dodatno potvr\u0111uje svoju multimedijalnu djelatnost producentskim radom u Londonu i Cambridge-u.<\/p>\n<p>2010. diplomira na Anglia Ruskin Univerzitetu u Cambridgeu kao magistar umjetnosti na polju filmske teorije. Sljede\u0107e godine zapo\u010dinje doktorski studij na temi koja obuhva\u0107a istra\u017eivanje odnosa filmske etike, estetike i zvuka kod filmova tzv. novog ekstremizma. Izme\u0111u 2010. i 2013. na polju sound i video arta istra\u017euje odnos zvuka i slike; koncepte anticipacije i manipulacije.<\/p>\n<p>Njegovi radovi prikazuju se u umjetni\u010dkim centrima i galerijama poput ICA (London,UK), FACT (Liverpool, UK), Cultural Olympics (Weymouth, UK), Peloton (Sidney, Australia),Metro Cinema (Canada), Media Art Weeks (Kyoto, Japan), Transmediale festival (Berlin Germany) i Media and Forum (Moscow, Russia) izme\u0111u ostalih.<\/p>\n<p>Od 2012. godine organizira i kurira Screamstation Fest, filmski festival kratkog filma koji istra\u017euje odnos zvuka i slike u suvremenoj eksperimentalnoj i tradicionalnoj kinematografiji.<\/p>\n<p>Detaljnije prona\u0111ite na poveznici <a href=\"http:\/\/www.zhel.net\/\">http:\/\/www.zhel.net\/<\/a><\/p>\n<p>(90s)<\/p>\n<ol>\n<li>It&#8217;s Going To Get You &#8211; 1996<\/li>\n<li>Believe In Beijing &#8211; 1997<\/li>\n<li>Sarcophagus &#8211; 1999<\/li>\n<\/ol>\n<p>(2015-2017)<\/p>\n<ol start=\"4\">\n<li>Go To Work &#8211; 2015<\/li>\n<li>Wild Child \u2013 2017<\/li>\n<li>Wanted Hunted &#8211; 2017<\/li>\n<li>Long Lived Bourgeoisie &#8211; 2017 (2020s)<\/li>\n<li>The Soup &#8211; 2020<\/li>\n<li>We Are The Golden Ones &#8211; 2021<\/li>\n<li>Beyond Now &#8211; 2021<\/li>\n<li>Damn, Look At These Cats &#8211; 2021<\/li>\n<li>Talk To Me &#8211; 2021<\/li>\n<\/ol>\n<p>+ With The Wolfman \/\/\/\/ e-zine \/\/\/<\/p>\n<p>EP#001 <strong>with us, or against us<\/strong> &#8211; 2022<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-2541\" src=\"https:\/\/filmfestivaldorf.com\/hr\/wp-content\/uploads\/2022\/12\/Zhel-03-t-265x400.jpg\" alt=\"\" width=\"265\" height=\"400\" srcset=\"https:\/\/filmfestivaldorf.com\/hr\/wp-content\/uploads\/2022\/12\/Zhel-03-t-265x400.jpg 265w, https:\/\/filmfestivaldorf.com\/hr\/wp-content\/uploads\/2022\/12\/Zhel-03-t.jpg 500w\" sizes=\"(max-width: 265px) 100vw, 265px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2542,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_links_to":"","_links_to_target":""},"categories":[1],"tags":[72,84,88],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/posts\/2540"}],"collection":[{"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/comments?post=2540"}],"version-history":[{"count":3,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/posts\/2540\/revisions"}],"predecessor-version":[{"id":2545,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/posts\/2540\/revisions\/2545"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/media\/2542"}],"wp:attachment":[{"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/media?parent=2540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/categories?post=2540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfestivaldorf.com\/hr\/wp-json\/wp\/v2\/tags?post=2540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}